Bury St Edmunds Film Society | Filmography

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    Films are selected by our members, who are welcome to send suggestions to our Secretary Hilary Wallis at at any time. Suggestions are discussed by members of the General Committee which makes the final selection.

    Here is a selection of the films we have screened:

    A Kid for Two Farthings (Carol Reed, 1955)

    A Man for All Seasons (Fred Zinnemann, 1966)

    A Matter of Life and Death (Michael Powell & Emeric Pressburger, 1946)

    Ace in the Hole (Billy Wilder, 1951)

    Akenfield (Peter Hall, 1974)

    All About my Mother (Pedro Almodóvar, 1999)

    All that Jazz (Bob Fosse,1979)

    All the President’s Men (Alan J.Pakula, 1976)

    Alphaville (Jean-Luc Godard, 1965)

    Animal Farm (1954, John Halas, Joy Batchelor)

    Anna Karenina (Julien Duvivier, 1948)

    Au Revoir les Enfants (Louis Malle, 1988)

    Autumn Sonata (Ingmar Bergman, 1978)

    Babette’s Feast (Gabriel Axel, 1987)

    Barefoot in the Park (Gene Saks, 1967)

    Belle (Amma Asante, 2013)

    Black Narcissus (Michael Powell & Emeric Pressburger, 1947)

    Blue Velvet (David Lynch, 1986)

    Brighton Rock (John Boulting, 1948)

    Casablanca (Michael Curtiz, 1942)

    Charly (Ralph Nelson, 1968)

    Chinatown (Roman Polanski, 1974)

    Cinema Paradiso (Giuseppe Tornatore, 1988)

    Doctor in the House (Ralph Thomas, 1954)

    Doctor Zhivago (David Lean, 1965)

    Double Indemnity (Billy Wilder, 1944)

    Dr Strangelove (Stanley Kubrick, 1964)

    Etre et Avoir (Nicolas Philibert, 2002)

    Farewell My Lovely (Edward Dmytryk, 1944)

    Fargo (Coen Brothers, 1995)

    Fear Eats the Soul (Rainer Werner Fassbinder,1974)

    Finding Nemo (Andrew Stanton, 2003)

    Frenzy (Alfred Hitchcock, 1972)

    Gilda (Charles Vidor, 1945)

    Ginger and Rosa (Sally Potter, 2012)

    Guess Who’s Coming to Dinner (Stanley Kramer, 1967)

    He Loves Me, He Loves Me Not (Laetitia Columbani, 2002)

    His Girl Friday (Howard Hawks, 1940)

    Huit Femmes - 8 Women (François Ozon, 2002)

    I Confess (Alfred Hitchcock, 1953)

    I know Where I’m Going (Powell and Pressburger, 1945)

    In the Heat of the Night (Norman Jewison, 1967)

    In the Mood for Love (Kar-Wei Wong, 2000)

    JFK, The Director’s Cut (Oliver Stone, 1991)

    Jules et Jim (François Truffaut, 1962)

    Kagemusha (Akira Kurosawa, 1980)

    Kung Fu Hustle (Stephen Chow, 2004)

    La Cage aux Folles (Edouard Molinaro, 1978)

    La Dolce Vita (Federico Fellini, 1959)

    La Haine (Mathieu Kastovitz, 1995)

    La Régle du Jeu (Jean Renoir, 1939)

    La Source des Femmes (Radu Mihăileanu, 2011)

    Lawrence of Arabia (David Lean, 1962)

    Le Grand Bleu (Luc Besson, 1988)

    Local Hero (Bill Forsyth, 1983)

    Love in the Time of Cholera (Mike Newell, 2007)

    Mulholland Drive (David Lynch, 2001)

    My Fair Lady (George Cukor,1964)

    North by Northwest (Alfred Hitchcock, 1959)

    O Brother Where art Thou (Coen Brothers, 2000)

    On the Town (Gene Kelly, Stanley Donen, 1949)

    Otto e Mezzo (Federico Fellini, 1963)

    Pan’s Labyrinth (Guillaume del Toro, 2006)

    Priest (Antonia Bird, 1994) , With short film Gasman (Lynne Ramsay, 1998)

    Purple Rose of Cairo (Woody Allen, 1985)

    Revolutionary Road (Sam Mendes, 2008)

    Roman Holiday (William Wyler, 1953)

    Saturday Night and Sunday Morning (Karel Reisz, 1960)

    Scrooge/A Christmas Carol ( Brian Desmond Hurst, 1951)

    Seven Women (John Ford, 1966)

    Shallow Grave (Danny Boyle, 1994)

    Singin’ in the Rain (Gene Kelly, Stanley Donen, 1952)

    Some Like it Hot (Billy Wilder, 1959)

    Spirited Away (Hayao Miyazaki, 2011)

    Sunset Boulevard (Billy Wilder, 1950)

    The Adventures of Priscilla, Queen of the Desert (Stephan Elliott, 1994)

    The African Queen (John Huston, 1951)

    The Apartment (Billy Wilder, 1960)

    The Big Heat (Fritz Lang, 1953)

    The Consequences of Love (Paolo Sorrentino, 2004)

    The Crying Game (Neil Jordan, 1992)

    The Duellists (Ridley Scott, 1977)

    The Elephant Man (David Lynch, 1960)

    The French Lieutenant’s Woman (Karel Reisz, 1981)

    The Innocents (Jack Clayton, 1961)

    The Ladykillers (Alexander MacKendrick, 1955)

    The Man who Knew Too Much (Alfred Hitchcock, 1956)

    The Man who Wasn’t There (Coen Brothers, 2001)

    The Past Asghar Farhadi, 2013)

    The Philadelphia Story (George Cukor, 1940)

    The Private Life of Sherlock Holmes (Billy Wilder, 1970)

    The Red Balloon (Albert Lamorisse, 1956)

    The Red Shoes (Michael Powell & Emeric Pressburger,1948)

    The Sea Hawk (Michael Curtiz, 1940)

    The Searchers (John Ford, 1956)

    The Sweet Smell of Success (Alexander MacKendrick, 1957)

    The Usual Suspects (Bryan Singer, 1995)

    The White Ribbon (Michael Haneke, 2010)

    To Wong Foo, Thanks for Everything! Julie Newmar (Beeban Kidron, 1995)

    True Grit (Coen Brothers, 2011)

    True Grit (Henry Hathaway, 1969)

    Truly, Madly, Deeply (Anthony Minghella, 1991)

    Under the Skin (Jonathan Lazer, 2013)

    Untouchable (Oliver Natache, Eric Toledano, 2011)

    West Side Story (Robert Wise, Jerome Robbins, 1961)

    Wings of Desire (Wim Wenders, 2013)

    Young Frankenstein (Mel Brooks, 1975)

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